Edinburgh Fringe Q&A: Dickson Mbi

The choreographer and performer on the Scottish Premiere of his Olivier award-winning production, part of the Here & Now Showcase

feature (edinburgh) | Read in About 3 minutes
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Enowate
Photo by Nick Thornton Jones & Warren Du Preez
Published 03 Aug 2024

Tell us about your show. What can audiences expect?

Enowate is a show that connects to so many themes, and asks the most important question of ‘Who am I?’. The audience can expect to experience a journey of self-discovery, supported by physical theatre, dance, music and out worldly animation. 

Where do you draw inspiration from for your work, both in terms of creation and performance?

The inspiration for creating Enowate came from a personal family trip back to Cameroon, to the village where my parents are from, and the juxtaposition to life in London.

The performance itself is inspired by how deep the performer can go inside themselves and let the experience inform the performer and the audience.

Why is this an important story to tell?

This was an important journey in my life and it provided me with a lot of insight into the human condition. Perhaps this work could do the same for others who are asking the same question of ‘who am I’, or if they just want to watch a cool show.

Do you tend to take inspiration from events happening in the world around you in terms of your work? Do you think artists have a responsibility to respond to what's happening?

Yes, I do take a lot of our inspiration from events that are happening in the world and our personal experiences to life. I think an artist has a responsibility to work with integrity, and to respond to what’s happening in the world today as we all cannot escape it.

Why are arts festivals such as the Fringe so important for international exchange?

I think festivals like the Edinburgh Festival Fringe are really integral to the growth and development of artists and companies by fostering international relationships and connections. 

What would you like audiences to take away from seeing this production at the Fringe?

I would like the audience to enjoy the work and the journey the performer takes them on. So, whatever comes up for them at the end would be personal.

What’s next for you and how are you feeling about the future in general?

I tend not to look too far ahead and I really try to stay in the now but after this run of shows we have two shows of Duende in Thessaloniki, Greece. I feel really positive about the future and I hope to keep on growing as a company and artist.