A toxic brew of witless one-liners and misguided social commentary

Bloom, following a two year break, is back in Edinburgh with the ... (continued)

In spite of his ""big gay face"", Luke Wright is a blinding talent.

For the vast majority who are unfamiliar with Topor, the show fai... (continued)

Grant's set is old-fashioned stand up at its best: he bounces aro... (continued)

The sock puppet cop drama is by far the most successful element

The cast clearly have a grasp on what they are trying to achieve ... (continued)

A performance undermined by its uneven mixture of charm and brutality

The entire set is full of creativity and ambition.

An engaging, prickly play

Unfortunately, the free nine-page translation is relatively usele... (continued)

'Overloaded with pegs, combs, toys, utensils, fly swats, feather ... (continued)

Since July, the Ingelby Gallery has embarked upon an exciting new... (continued)

Jenny Richards chats to Nathan Coley about his new exhibition at doggerfisher

Not worth dying for, but at least worth a torn fingernail or two

I'll never read Prufrock without fondly thinking of my nether regions again!

""let loose man, I love that shit!""

Reality blurs as they choose between their pink, blue and yellow pills

Although it can be hard to bear in parts, its true stories deserve to be heard

""He Uses a lot of words, doesn't he?"", Simon Amstell says at ha... (continued)