Review: Infamous

Infamous follows a classic circus blueprint with a big opening act, singing and dancing between tricks and a clown character tying the lot together as a scrappy ringmaster. Although predictable and formulaic, the system works well. If it ain’t broke!

This show has some of the sharpest and most concise aerial work including a breathtaking duo silk act. Using a silk hammock, the acrobats weave and breathe life into one another in fluid movements and dramatic hanging holds. The highlight of the night is the grand finale trapeze which is so rarely included in Fringe performances and although the most dramatic trick didn’t quite stick, living vicariously through the acrobats’ disregard to personal safety is enthralling.

There is a real travelling circus grunge vibe to this show in a really encapsulating, transporting way. It’s easy to be lost within the world. It’s clear this is a well-oiled machine from the acrobats, to the singers, to the deft stagehands. The choreographed dance routines sometimes have an air of a high school sleepover, but the dancers have a bouncy enthusiasm which is infectious.

It’s a big night out with two full hours and intermission and due to its sheer size and complexity, Infamous would arguably be a better fit for a standalone travelling circus rather than part of a Fringe festival. What Infamous does provide is an experience that feels like it’s from another time in a really familiar and enjoyable way.

Infamous, Infamous Theatre, until 17 March