Casablanca: The Gin Joint Cut

For a film whose famous script was rewritten daily by committee, this theatrical homage is incredibly arch. Born out of the Classic Cuts series at Glasgow's Oran Mor, writer director Morag Fullerton's slick production mixes a straight re-staging of the film Casablanca with peering behind the curtain at the actors as they prepare to play their roles. They share facts about the film, as well as indulge in some thespian goofing.

Humphrey Bogart's laconic and arid drawl gives way to Gavin Mitchell's Scottish burr between the straight scenes. It makes Mitchell's impression all the more impressive.

Only two other actors grace the stage, Clare Waugh and Jimmy Chisholm. The trio play all the film's roles. The chaotic and confusing costume changes are handled with pantomime humour. Where the plot allows it—like the staging of piano player Sam—slapstick and humour is mixed into the straightforward drama.

In contrast, the biggest lines are played straight and hit note perfect. Bogey's heartbreak is all too convincing, and herein lies the show's main strength and weakness.

Fullerton's comic asides and back-stage peeks fit in seamlessly. They make this a far more intriguing and off-kilter beast than a po-faced run through of the film.

And yet, the straight parts are so well handled, and the original script sings so magnificently, the lingering urge afterwards is to watch the original film again, which leaves The Gin Joint Cut feeling like a curio rather than something definitive.